Saturday, November 9 | 3:30pm – 4:15pm
We will delve into the post-production workflow, specifically on interfacing with third-party vendors who are used to an Avid-based workflow. In Hollywood, Avid workflows are well-established, standardized across the industry and set in stone. The “Talent Pool” is huge and everyone knows what they are doing.
We will use real-world examples — feature films and documentaries cut on FCPX — to not only show Final Cut Pro’s advantages, but also how to integrate this workflow into established protocols.
In this world, FCPX editors must be able to integrate these techniques with established third-party vendors: color, sound, VFX, and with producers and directors who are used to doing it a different way.
With Final Cut, we are exploring new techniques, finding their value, working out their efficiencies, and putting a new player in the game.